Archive for July, 2006

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cool design

Monday, July 31st, 2006

hey folks,

we know it’s been a while since our last post, but due to some summer holiday action, we’re not constantly online to keep you all posted. I just found some cool website made by Dutch guys. They have that techy style, very futuristic & clean.

http://www.renascent.nl

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Getting known

Thursday, July 20th, 2006

Wherever you look, there’s always a struggle for fame, to become known for something and therefore to belong to a small elite, apart from the mass. The most obvious cases are casting shows on TV, but you’ll also find it in every career area, among book authors, abstract painters and politicians. It’s no rare phenomenon, rather a basic principle of communities. The ways which lead you from being a nobody to the incarnation as a star seem diverse, though. Nevertheless, stardom always means influence, and therefore power, or at least the chance of distributing your thoughts, creativity or products to a wider public.

The different music communities, and especially DnB, are no exception to this rule. Just like the stock markets are largely ruled by a certain couple of people’s decisions, there are certain labels and artists who influence the whole scene. Who are these people, and why are they the ones to decide what’s good?

When you take a closer look, the whole fame thing is no black-white-scheme. It’s more like a net, with the famous elements being big and massively linked in the center, and the nobodies at the edges. The interesting things happen in between, with newcomers on the rise and previously famous people losing popularity. Obviously, this net is quite subjective, as everyone has their own heroes and taste. Nevertheless, many people with widely similar taste would propbably agree on their view. What define’s an artists position in this popularity net?

There are several factors, depending on the artist’s role.

  • A DJ (realistically!) is known, because of his work he’s done so far, so the time being a DJ in the scene is important. Also, the freshness of tunes and the number of events he’s played at. Yes, you’re right, there’s a couple of DJs, who qualify by their skills, but for a wide number, this doesn’t seem to count (oh yes, a lot of names of the later case come to mind). Nowadays, most “big” DJs are also producers anyway.
  • A label is known for their output. How influencal and visionary it was, and which artists released on it.
  • A producer is known, because he released important tunes. Important here means good or innovative.

Taken together, it’s a net of the three actor types. Think of a small piece of it, visualized above. Each Artist releasing on a label, and a remix or collaboration between artists is noted by a link. You can see the net growing in your mind, don’t you? To be fair, the lines should have different thickness, as specified by the number of occurances. You could define the whole thing one step further by putting in Top10 references or dubplate play times between DJs and producers. To make the whole concept realistic, each node should be weighted by a real-world number, like sales numbers of a label, and DJ’s gig count or fee. Dynamically grow/shrink the nodes by the weight of each link, and you’ll see the whole community and their most famous elements.

Interestingly, in science (of course, haha) there’s a popularity for each person, computed by the releases in scientific journals and these journals’ importance. Trust me: This ranking number is of maximum importance when it comes to getting an interesting job in a certain laboratory!

How do you get famous as a producer, then?
Make good tunes, collaborate with more famous people than you, get releases on good labels. That’s all. Good night and good fight.

Update

In the comments, Redshirt mentioned the Google PageRank algorithm, and it funnily also came to my mind, that we’re referring here to typical social networks. According to network theorist A. Barabási and his highly recommended book “Linked”, many systems in the real world are scale-free networks, meaning they contain a few hubs (very important and influencal elements of the net) and huge amounts of increasingly less important nodes. (so there’s a straight correlation between the the importance of a node and the number of its type). Examples are the web (think of Google, Yahoo, which are very influencal, and in contrast millions of homepage aka digital dirt), nets of sexual partners (in his books he examines the outbreak of AIDS), and many more. Obviously, the DnB community is another typical example.

Also, Kidbubble mentioned the influence of links on other links, like when someone you don’t know personally speaks good or bad about you to a mutual contact and thereby changes the way your link to this mutual contact is weighted (like pushing you or throwing you out of the game). The net is highly dynamic!

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State Of Mind interview

Wednesday, July 19th, 2006

Interview with State Of Mind (Subtitles, NZ) on drumandbass.ch.

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Dementia interview

Tuesday, July 18th, 2006

Nice interview (in German) with Dementia (DSCI4) by DnBscene.de.

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Nature One Festival 2006

Tuesday, July 18th, 2006

Saturday, August 5th.2006

NOISIA (Vision Rec, Renegade Hardware, NL)
N.PHECT (Basswerk, Renegade Hardware, U3R, Full Force, Syndrome, Koeln)
CHOOK (Full Force Rec., Luxemburg)
GIANA BROTHERZ (Basswerk, Giana Brotherz Rec., Koblenz)
RUSHER (Barcode, Ruthless, Bremen)
DEX (Septic Inc, Bremen)
DIRK D (Dubplate Business, Kings of the Jungle, Bremen)
PHLEX (Boombastic Sound, Liquid Room, Bremen)

http://www.nature-one.de

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15.07.06 – nphect & dizplay @ Loveparade, Berlin

Saturday, July 15th, 2006

Love Parade

on saturday, 15th of july 2006

http://www.loveparade.de/

Update


Polarity has posted some pictures.

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n.phect & dizplay – Beautiful Bytes [Basswerk]

Saturday, July 8th, 2006

Beautiful Bytes

n.phect & dizplay – Beautiful Bytes [Basswerk]

We’re very proud to finally announce the definitive release of our album on Basswerk. The albums consists of 13 tracks , spanning from devastating floor smashers, over dirty Neurofunk tunes, to beautiful vocal tracks. It is available in stores on CD, with distribution through Groove Attack / ST Holdings.

Tracklisting

01 …… nphect & dizplay – white russian
02 …… nphect & dizplay – my velvet morning
03 …… nphect & dizplay – motor
04 …… nphect feat. complex – mofo
05 …… nphect & dizplay – tsunami 2006 vip
06 …… dizplay – shining through
07 …… nphect – beyond the invisible
08 …… the green man – damn wire (n&d’s goddamn wire remix)
09 …… phace, nphect & dizplay – deep throat
10 …… dizplay – don’t you see
11 …… nphect – enjoy the madness
12 …… nphect & dizplay – inside the hive vip
13 …… starke & gorter – you can go on (nphect & dizplay remix)

Basswerk promo text

Somewhere in the wide Neurofunk Galaxy, quite near to the Trance Planets and the Rave wormhole, N.phect & Dizplay added the funk to a mystical Drum & Bass flavor. N.phect & Dizplay come up with the next generation in Drum & Bass. Two young brotherz from Cologne, with the real surname “Wild”, both studied in technical and musical skills, push the levels one step further. Not as naïve as some Pendulum songs, but still as catchy. Dark, but happier compared to Noisia and Phace (with whom there is one collaboration on the album) – and very funky with more straight forward energy. Those two are one of the first Neurofunk acts to finish an outstanding and versatile Neurofunk Drum & Bass album called “Beautiful Bytes”.

The Wild Brotherz grew into Drum & Bass in the heart of Cologne. Compared to other cities, the Cologne Drum & Bass scene really developed fine and already brought out a lot of high quality producers. Groove Attack, the German D&B main player, is located in the city with their store and distribution. So the fresh stuff was there and they were inspired by the Basswerk Sessions @ Gebäude 9 as well as the early successes of the ravy, live playing Giana Brotherz on Basswerk. So we met and received their first stuff – and brought out their first 12 in late 2003. “The Syndicate” and “Velvet morning” on Basswerk 20 soon sold out and was picked even in the US by Dieselboy.

Back in 2006, N.phect & Dizplay tunes have been released and are freshly signed to many labels like Renegade Hardware, Full Force, U3R, Syndrome and the best new tracks plus some great remixes of vinyl hits have been compiled for this album. None of this tracks has been out in this version before on any format.

The album starts with their smasher “White Russian”, which could be described as a summary of the whole album, followed by the 2006 remix of their big hit “Velvet Morning”. Then they go deeper into the puristic and instrumental Neurofunk-zone with “Motor”, “MoFo” and “Tsunami”, from which MoFo received the biggest DJ demands, for example by Noisia and Phace, so it has been released on the Basswerk 24 vinyl maxi. But this is just a special, because the whole album is a DJ tool, which had been and is played by many artists. For example, BSE play “Inside the Hive 2006 plus the remix of TGM’s “Damn Wire” (yes, those noises are there on purpose if you doubt). It does include VIP remixes of their smashers “Inside the Hive” and “Tsunami” (released as a remix on Trickdisc). TeeBee liked the whole album and for sure Phace and Misanthrop play it already. The flipside of the Basswerk 24 12” is a brand new collaboration of Phace with N.phect & Dizplay – freshly produced for this album in April 2006 called “Deep Throat”.

Purchase
Via the Basswerk shop, Amazon, and many other stores, local and online.
Also, a special preview feat. “My Velvet Morning” and “Inside The Hive VIP” is available at Beatport.

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01.07.06 – n.phect & dizplay @ Rheinkultur

Saturday, July 8th, 2006

flyer

Update:

It was a remarkable event, as every time when the sun comes out at Rheinkultur. Thanks everyone who’s been there! We were lucky to have out set being shifted to 20.00 – 21.00, and have taken some picture which you can find here at Flickr.

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